Review: Sacred Signposts

Cover of
Cover of Sacred Signposts by Benjamin J. Dueholm

THOMASINA: Oh, Septimus! — can you bear it? All the lost plays of the Athenians! Two hundred at least by Aeschylus, Sophocles, Euripides — thousands of poems — Aristotle’s own library…. How can we sleep for grief?

SEPTIMUS: By counting our stock.

Arcadia by Tom Stoppard

Something has been lost, or is in the process of being lost, or is going to be lost if nothing is done. Every religion and every culture faces this reality when the question of its survival is raised. For Christians, it is especially disconcerting because of their relationship to the past. The gospel is not, we say, something that you would stumble upon in ordinary life or suss out through one’s own reason. Rather, it is rooted in particular events at specific points in history. Jesus of Nazareth, in the reign of the emperor Tiberius, was crucified under Pontius Pilate, etc. Part of the work of the church, then, is historic preservation: to show that those events of millennia ago make claims upon us living today, and for all time. This task is relatively easy when Christianity is the dominant culture, and thus the forces of cultural conservatism can be pressed into its service. But what happens when that dominance is gone?

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